While
channel surfing the other night I came across the Golden Globe Awards show on
TV and thought I was watching a rerun of the People’s Choice Awards or a
preview of the SAG Awards because it all looks the same to me. According to the
Entertainment Tonight (OK, I made that up, I’ve never watched Entertainment
Tonight) even though the same movies, actors and directors compete for all of
these different awards they are much different because different people give
them. Really?
It seems
that one of the awards is based on the votes of other actors, while another is
based on public popularity and yet another is voted on by some kind of “guild”
and, of course, the Oscars are based on votes from an academy that really isn’t
even an academy at all. Among real men this is known as bullshit.
I’ll just
come out and say what all guys like me are thinking when our wives force us to
sit through one of the Hollywood ego stroking ceremonies. We don’t care about
the best lighting in a foreign documentary or the best costume design for the
supporting actress in a musical or comedy.
We’re just
watching this crap because we’re just doing payback time for hogging the remote
during the football season and appeasing her before March Madness. We couldn’t
care less which overpaid actor somebody else thinks is better than some other
overpaid actors.
If I was
giving out awards for movies the categories would be much different. I would
give awards to things like best line in a tough guy detective movie, and the
winner is Clint Eastwood for “Go ahead, make my day.” Maybe best use of chewing tobacco in a
Western, and the winner is Clint Eastwood for nailing a scorpion from horseback
in Outlaw Josey Wales. Perhaps best direction of a non-human primate in a
comedy or musical, and the winner is Clint Eastwood for saying “Right turn
Clyde” in every Which Way but Loose. Seeing a pattern here?
How about an
award for the best John Travolta redemption movie because, let’s face it, after
starting off with unwatchable movies like Saturday Night Fever and Urban
Cowboy, he needed to play some decent roles to redeem himself.
The nominees
are; Broken Arrow, Swordfish and Pulp Fiction. In Broken Arrow he plays a crazy
Air Force pilot who beats up Christian Slater and blows up a nuclear bomb in
Utah. All good stuff considering we’d all like to pop Christian Slater in the
chops and who wouldn’t want to nuke a piece of the Utah desert ... I know I
would!
In Swordfish
he plays sort of a cooler version of Ollie North who uses illegal activity to
fund advancing the causes of truth, justice and the American way. It’s a
mediocre movie at best but it does feature scenes of Halle Berry semi-naked so
it’s worthy of award consideration.
The winner
is clearly Pulp Fiction because Travolta’s character, Vincent Vega, is so cool
he’s an iceberg. He’s a gangster who drives a GTO convertible, carries a
machine gun and rolls his own smokes … a far cry from his disco music and
polyester beginnings.
Let’s give
an award for the most tolerable chick flick to sit through; the winner is The
Princess Bride because it has Andre the Giant, the Dread Pirate Roberts and, my
personal favorite, Indigo Montoya. Even though it’s a movie about … well … a
princess who is a bride, I forget that part every time the cool dude with the
sword says, “Hello. My name is Indigo Montoya. You killed my father. Prepare to
die.” How awesome is that?
A Lifetime
Achievement award goes to Humphrey Bogart for being the epitome of cool in just
about movie he ever made. Steve McQueen deserves honorable mention but do
yourself a favor and watch The Maltese Falcon or The Big Sleep … nobody was
cooler than Bogie.
Another
Lifetime Achievement award goes to Mel Brooks for making Blazing Saddles.
There’ve been a lot of great comedies made over the years and everyone has a
favorite but Blazing Saddles is in a class all its own. I don’t think I’ve gone
a week since 1975 without quoting a line from Blazing Saddles at least once.
How much
more entertaining would award shows be if guys like me got to hand out the
accolades? Categories like best smart assed comeback by a sidekick or best
plunging neckline worn by a supporting actress would make award shows tolerable
… “It’s twue, it’s twue.”
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